4/6/2023 0 Comments Dirk diggler vintage sceneThe end result may not have been the smartest of films, but boy was it ever sexually explicit. In the end, the dick most remembered from "Brown Bunny" might be Gallo himself.įor his follow-up to "Hedwig and the Angry Inch," John Cameron Mitchell set out to create a smart and explicit film about sex and relationships. Like the movie itself, the sequence is more subdued than it sounds, but "subdued" isn't how we'd describe the giant billboard of Sevigny's head in Gallo's crotch that was erected - ha ha - on Sunset Boulevard (and eventually removed). But the only thing that could possibly upstage Gallo's weird behavior and the critical tussle the movie evoked was its much-touted blow job scene, in which the ever-brave Chloë Sevigny performed unsimulated fellatio on Gallo, earning the film that scandalous scarlet letter, X. But Keitel's willingness to flap his man meat - first as a cop wrestling with his own dark psyche in "Bad Lieutenant" and later as an Englishman going native among Maoris in Jane Campion's "The Piano" - is a key part of his Stella Adler method intensity, the evidence of a man gunning to let it all hang out, literally.Ĭritics were hopelessly divided on Vincent Gallo's meditative film: Roger Ebert famously dubbed it "the worst movie in the history of Cannes" while Charles Taylor, writing (about a re-edited version) in Salon, called it a "gentle, lyrical road movie." Along the way, Gallo did himself few favors, proving to be the kind of preening artiste who would both place a hex on Roger Ebert and sell his sperm online. A short and stocky scrapper with a face made for a mug shot, Keitel is certainly not the kind of blushing boy toy whose cheesecake pictures are passed greedily around the Internet, which makes his enthusiasm for going starkers all the more endearing - or upsetting, depending on your perspective. It's safe to say that seeing Harvey Keitel naked wasn't on anyone's bucket list. Harvey Keitel, "Bad Lieutenant," "The Piano" Here, in descending order, are the big wieners.ġ0. Of course, there were many that didn't make the cut: Richard Gere in "American Gigolo," Gerard Depardieu's numerous erections in "The Last Woman," approximately one-third of "The Dreamers," Kevin Bacon's shower scene in "Wild Things," "Eastern Promises'" naked knife fight and "The Hangover's" somewhat, er, unexpected closing credits. To mark the release of "Brüno," we've assembled our list of the best moments in male full-frontal nudity - ranked in terms of cultural significance and our, well, personal appreciation. Cohen's floppy member practically gets its own billing. As film scholar Laura Mulvey argued in her famous essay "Visual Pleasure and Narrative Cinema," it probably has something to do with men's discomfort seeing other men's bodies on a movie screen - a discomfort that "Brüno," Sacha Baron Cohen's follow-up to the penis-y "Borat," aims to exploit. We joke all the time about the mighty John Thomas, but rarely does it get any real screen time. Skin, an online database of movie nude scenes, doesn't feature male nudity at all. Male nudity is so verboten in film that even one that centers on its exposure - "The Full Monty" - didn't have the (excuse us) balls to live up to its name. Sure, boobs and vaginas are great, but where, egalitarians might ask, are all the penises? But in popular culture, and movies in particular, there's been a rather conspicuous double standard. From Miss USA's topless photo scandal to "True Blood's" steamy sex scenes, we certainly see plenty of naked people these days. It's become a cliché for conservative critics to argue that our society is hypersexualized.
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